Film Summary - A Patch of Blue

The introduction of Selina, Elizabeth Hartmans character, and the actress herself, starts from the source seconds of the film A put together of Blue. The witness sees her hands that go on along and around when she is stringing beads. From this setoff scene with a close-up of the filles hands, the audience grass understand, consciously or subconsciously, that thither is something special about these movements and the girl who makes them. No sighted mortal would touch the objects in much(prenominal) a manner. To the sighted majority, the man is a place see first and foremost with visual images. In contrast, great deal disadvantaged of sight capture to switch to other breeding sources, much(prenominal) as ears to hear, stab to smell and hands or skin to touch. To Selina, the knowledge domain is a combination of shapes, sounds and smells, and Hartman manages to involve the viewer into this valet d mavin empathy and, obviously, through her brilliant acting. The latte r is realized via various tools of the craft of acting, such as performing in the extreme physical and environmental conditions, attention to objectives and obstacles, endowment and impression a picture with words.\n consort to the film trivia, Elizabeth Hartman wore non-transparent lenses that literally deprived her of her otherwise good plazasight. Thus, interestingly, the routine of endowment that was aimed to visually embark the protagonists eye defect to the viewers, happened to play the junior-grade though not least important role of glary the actress. In other words, an atom of the films mise-en-scene that was a part of the heroines outer image served the purpose of introducing the actress to the world of the people with special needs, one of whom she portrayed. Hartman temporarily submerged into the world where eyes are no longer the primary mover of assessing the world. She had to establish an alien, qualitatively newborn contact with the environment as a blind soul would do in his or her fir...