Art History

Saint Luke image the Virgin (1434 ) by Rogier cara van der Weyden (1400 ? - 1464 ) and medusan (1597 ) by Michelangelo Merisi da Caravaggio (1571 ? - 1610 ) will be compared and contrasted in this paperThe apparent movement pictures run low to different styles , epochs and were created in different countries . Rogier van der Weyden is the prominent good example of Flemish schooling of Painting that inherited Italian renascence traditions and combining them with Medieval medieval features affected the further information of European nontextual matter . vanguard der Wyden learns the ponderous detailed naive realism that characterises his early createings at br the workshop of Robert Campin (1375-1444 ) when being enrolled as an apprentice of the headmaster . Saint Luke Painting the Virgin is attributed to the very perio d . The mental picture of Madonna as well as all the roost Christian plots is typical for the Flemish School masterpieces . Van der Wyden does non exclude this theme from his creation each . The blindist is the fellow member of St . Luke guild which is the community of Flemish painters . check to the legend but Saint Luke the Evangelist was the first Christian painter who multi-colored Mother of God from life . He was the saint protagonist of painters and their guilds . Most of the impressions representing St Luke are destined for the altars of painters communities painting by van der Wyden is the altarpiece for the Brussels guildCaravaggio s creation is associated with the Italian Baroque , which embodies refreshed imagination about unity , infinity and diversity of the human race . Baroque replaced humanistic culture of renascence and art subjectivism which is so typical for Mannerism . The virtuoso cosmetic compositions of religious , fab and allegorical nature p redominate in the art works of Baroque style! . Luxurious portraits underline the privileged fond status .

Baroque is characterized by pompousness and action , whacky exultation , feelings intensity and passion for trenchant performances , overlap of earth and illusion , strong contrast surrounded by materials and textures , scales and rhythms , clear-cut and shade Baroque aesthetics has the strong rules to impart for painting . These rules are introduced in the Treatise about Painting , work and architecture (1584 ) by Giovanni Paolo Lomazzo (1538-1600 , the contemporary of Caravaggio . It is supposed to follow the principles of the long art of conversion . Caravaggio does not accept them because he considers that the temperament itself is on-key example for art , but not Renaissance uncomplete classic sculpture . Caravaggio revolutionises the art of the time by creating prominent and realistic paintings . Caravaggio constantly violates the principle of decorative art , at best he interprets it in his own port which displease to hate and love his paintingsIn Greek myth , Perseus apply the disunite snake-haired head of the Gorgon medusan as a epidermis with which to cycle his enemies to stone . By the sixteenth century medusoid was say to symbolise the triumph of reason over the senses and this may start been why Cardinal del Monte commissioned Caravaggio to paint Medusa as the figure on a honoring riddle presented in 1601 to Ferdinand I de Medici , Grand Duke of Tuscany . It destined to symbolise...If you need to prepare a full essay, order it on our website: OrderEssay.net

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