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Monday, September 23, 2013

Painting in the Second Half of the Nineteenth Century

Painting in the Second Half of the Nineteenth century         During the second half(prenominal) of the nineteenth century, the ideal of egotism-determination fostered by the French transition and blossom by Napoleon helped spawn a revolutionist disposition across Europe. This spirit of rebellion also infect artists of the period. Painters began to challenge the philosophy and the aesthetic principles of the academies, looking outside these right institutions for their training, reduce matter, style, and purpose. While many artists and critics promoted the status quo, others seek change, see validity in new themes and new approaches. To many artists, the histories and mythologies keep promoted by the academies offered no inspiration, and so they turned elsewhere for their subject matter. Some looked to nature, others to passing(a) life, and still others to themes of the worker, the poor, and the oppressed. As they sought alternatives, many art ists gather in groups based on common interests. Outside the accomplished mainstream of their own time, the Realists, the Impressionists, and the Post- Impressionists broadened the horizons of Western art.         Gustave Courbet (1819-1877), a self declared Realist, rejected the inherent sentimentality of work by the Romantics. Courbets interest in portraying things as they really appear, together with his nonacademic orientation, placed him in the see rank of the quest for realism, the premise for much of the dainty application of the period. Michael Wood quotes Courbet as saying: It was not my spirit of attaining the trivial object of art for arts sake.
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